Not all pleats are the same craft. In haute couture, three techniques dominate the conversation: Mariano Fortuny's irregular silk plissé, the uniform accordion pleat, and the radiating sunburst pleat. Each is made differently, and each produces a distinct effect on a garment's structure, volume, and movement. Understanding how they work is the difference between seeing "a pleated dress" and recognizing a deliberate engineering choice in cloth.
Mariano Fortuny's Revolutionary Plissé: The Delphos Gown
Plissé is an ancient method—Fortuny's own account traces it back to Ancient Egypt—but it was Mariano Fortuny who, in the early 1900s, revolutionized it and consecrated it as a synonym of elegance, luxury, and sensuality. His plissé was obtained through a long manual process in which the fabric is folded back on itself, and the pleat, by its very definition, allows freedom and elasticity to both the fabric and the wearer.
How exactly did he do it? The honest answer is that no one outside the workshop fully knows. It is widely believed that such pleats could only be achieved when the garment was wet—quite possibly submerged under water—quickly followed by the application of heat to ensure the pleats kept their form. The technique sounds almost disarmingly simple; the results were anything but. Many Delphos gowns over sixty years old still maintain firm, flexible pleats today.
The Delphos gown, made of fine silk, is the technique's masterpiece. The silk was dipped many times to enrich the color from a neutral base, so that it changed tone according to light and the movement of the fabric. As the Metropolitan Museum's file on the dress puts it, the Delphos "exemplifies Fortuny's ability to transform something historical into a totally modern garment." The pleat invites the fabric to cling to the body's natural shape—movement and light, embodied in a fold.
Accordion Pleats: Uniformity and Fluidity
The accordion pleat is the workhorse of the family: symmetrical folds, each side of the pleat the same length, resembling the bellows of the instrument it is named for. According to the craft resource Made/in, accordion pleats are among the most common pleating styles, alongside side pleats and box pleats (in a side pleat, one side is shorter than the other so the pleat folds flat to one side).
Its construction can be done by hand or by machine. Machine pleating, as the New York Embroidery Studio explains, runs fabric through heated machines that shape it in the desired way—though this method is slightly less flexible than other forms, since it can only complete accordion, side, and sunburst type pleating.
Aesthetically, uniformity is the point. Because every fold is identical, the fabric gains consistent volume and a rhythmic texture that expands and contracts with the wearer's motion. Where Fortuny's plissé clings, the accordion pleat breathes in and out like its namesake, adding drama through regular, mechanical repetition rather than organic irregularity.





